 | Bohman's Bio |
Marc was born and raised in the small town of Shelley, Idaho.
Although, this shouldn't be held against him, it provided the opportunity to
explore the west and gain an appreciation for snow-capped mountains, beautiful
sunsets, and the distinct smell of skunks.
He spent all his summers avoiding manual labor (pipe moving) by
going to scout camp as a scout and ultimately spending six years as a scout camp
staff member in God's country at the base of the Tetons. During this time he
began playing with photography (term used very liberally) by taking many
underexposed pictures of the Grand Tetons at sunset, underexposed pictures of
storm clouds, and pictures of overexposed staff members in surprise.
Upon returning from a two year mission to Houston, Texas, Marc
pursued numerous degrees and girls, and luckily received one of each. The first
was a degree in the very lucrative field of biology, and the second, his
beautiful wife Rebecca (and to think some art critics say he doesn't have an eye
for shape or form!) Although there is no post graduate work in regard to the
first degree, the second pursuit has yielded three children, Nickolus, Jacob,
and Emily.
By trade, Marc is a pharmaceutical representative (thus somewhat
avoiding the Starving Artist Syndrome), which gives him the opportunity to travel
regularly throughout the West and compile a growing stock of images from National
Parks in Idaho, Wyoming, Montana, Utah and others. Ultimately Marc would love to
trade in the name tag and drug samples for a career as a (paid) landscape
photographer.
Marc's approach to photography has been mostly self-taught with
the exception of a summer class at Rick's College, and a crash course in f-stops
by his father (he is still trying to figure those out!) Marc tries to be as much
of a purist as possible using filters sparingly, mostly polarizer's,
and split/neutral density filters. Photoshop is not used for fixing or
re-touching, the philosophy being "get the image right the first time so I don't
have to fix it. I don't have enough time to sit behind the lens, let alone a
computer." Marc shoots medium format 645, exclusively on Fuji Velvia, with a
panoramic 617 format on the wish list.